A hundred witnesses on the wall
would at least not reach consensus.
If color and contour match, so must opinion.
I escape it, for a time.
So the pharaoh is foiled,
the flower arrested,
the warhorse seized in the charge.
Their acrylic strokes are pigment and plastic,
and they cannot decide my innocence—
or my guilt.
In hindsight, I jumped the gun
or should have been franker, sooner,
but don’t name me the cause of your shortcomings.
And don’t demand a fight.
I won’t kick you when you’re down
(except, in fair frankness,
you were falling ere I approached).
My new collection know my frustrations,
scratched and stained in the canvas,
so that the Jack and desert scape
recall your frivolity and unfocus.
“That one’s pretty,” a friend said of Namibian sands,
cadmium red
like the witch’s hourglass turned quickly and finally
on the amateur who thought herself an ingenue.
